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The
last Tribes of Mindanao, the Bilaan of Southern Mindanao
Text and images by Ronald de Jong
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The Bilaan or B`laan are a tribal community of Southern Mindanao, the name of this indigenous group comes
from the words Bla and An, meaning Opponent People. The Bilaans in South Cotabato were renowned hunters and food gatherers,
they hunted wild animals and were reaping grains, rootcrops, fruits and herbs
in the once vast open space of cogonal land, known as Kolon Datal, nowadays Koronadal City.
The Bilaan live in in Lake Sebu and other municipalities of South Cotabato and are one of the major non-Islamic
tribal groups in the Southern Philippines.They are famous for their rich and colorful cultural heritage, ethnic art and handcrafts
like the brass ornaments and traditional beadwork. Colorful native costumes woven from abaca and decorated with embroidery, buttons, beads and heavy brass
belts with numerous tiny bells are worn by the women of the Bilaan, making their approach heard, even from a far distance.
The sequin-like capiz shells called takmon are used
to give a distinct design and color to their clothes, among the women, the intricately beaded wooden comb, the swat san salah is a must.
The Bilaans have their own system of weaving using abaca fiber, before weaving the typical patterns, rituals
are held in accordance with the Bilaan culture, but only the weavers know about these rituals and before making any pattern
or design divine guidance is first sought. It is believed that the designs were imparted to the dreamer through the l'nilong (fairies), who are considered guardians of nature. Their handicraft and traditional attires are being
brought to almost every ceremony and are considered as priceless possessions that are offered as dowries during weddings and
used as payment for crimes committed against a person or clan or for settling disputes among warring clans.
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The Bilaan culture is unique, the tribe practices indigenous rituals for almost everything that they do because
of their belief on the supremacy of the great Creator named Malu or D'wata, who is the source of everything. The Bilaan are strong believers on the interdependency with the environment
and must respect the will of the Creator and are not allowed to touch or destroy any creature or object without His permission.
They believe that there is only one supreme being that rules the cosmos and in
the existence of a soul which upon leaving the body causes illness and even death. Bilaan men wear their hair long and have
tattoos on their back, chest legs and arms, some of the main characteristics practised by men and woman of this tribe is the
shaving of the eyebrows and the blackening of their tongues and filed incisors.
Musical instruments, like wooden lutes, flutes and bamboo tubes with strings are used extensively with their rituals
and dances. One of the well known ritual dance is the Blit B'laan. a courtship
dance of the imitating the movements of the male and female birds during mating season. Among the Bilaan in Southern Mindanao, a handwoven mat spread on the
ground or the floor marks a sacred space. A story told on a B’laan mat must tell the truth. It is believed that the
good spirits will join the communing human beings. Only when keeping ther faith, otherwise it will not work. These mats are also spread out to mediate
conflicts by tribal leaders named Fulong or the tribal elders
A
Bilaan community is organized under a local Fulong who has sovereign authority
over an area depending on his own influence. This position is heritable by the
firstborn. Close
family ties have always been recognized as one of the core values of Bilaan families and are deeply embedded in their culture,
the life of the Bilaan evolves around their family that usually lives within one compound, consisting of more than one spouse
and extended relatives living together.
The Bilaan of Southern Mindanao are still upholding their traditional ways of living, their values and their distinctive
culture, it is impressive to see how this community can adjust and find meaning in life in a modern Philippine society.
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